Floating Along in the World of Rivers and Lakes

wuxia 80.jpg

As the martial arts world of rivers and lakes flow, some
of it seeps down to me here in the gutter. The last few months I’ve been
soaking in wuxia, a Chinese genre of historical and fantastic epics
about the adventures of xia, errant chivalrous heroes. 

Pronounced very roughly, “shya,” xia come from
every social class.  They are loyal to their friends, pursue righteousness
(yi), punish the iniquitous, hone their skills and live beyond the
shores of respectable society in the “world of rivers and lakes,” (giang hu/jianghu)
along with hermits, bandits, beggar societies and Triads. Watching Chang Cheh’s
Water Margin and King Hu’s Come Drink with Me as well as borrowed
DVD’s of the 1986 Hong Kong tv show, Legend of
Condor Heroes
based on Jin Yong/Louis Cha’s book and reading the library’s
copy of Jin Yong’s The Deer and the Cauldron, I think that xia
might be the shit. 

But while I love wuxia books and films, comics are
my little effluvial pool.  I’ve been splashing around  with my new
favorite manhua artist, Ma Wing-Shing, his adaptation of Zhang Yimou’s
film, Hero (Comics One, 2003) and his adaptation of another Jin Yong book, Heaven Sword
and Dragon Sabre
(Comics One, 2002), made into Kung Fu Cult Master,
starring Jet Li.  Ma Wing-Shing started creating manhua in 1976,
at the age of 17.  By 1982, his Chinese Hero (aka, The Blood
Sword
, totally different from Hero) had changed how Hong Kong
artists drew manhua—even Tony Wong Yuk-Long, sifu of the mighty
Jademan Comics (and totally different from Anthony Wong Chau-San,
who sings but doesn’t draw as far as I know) (Wendy Siuyi Wong, Hong Kong
Comics:  A History of Manhua
.  NY: Princeton Architectural Press,
2002: 101, 115, 123),

wuxia 250 jpg.jpg

Ma is famous for his realistic painting, rendering panels
that DC or Marvel would use as cover or poster art. I’m partial to Ma’s
distinctive inked chi or internal power lines that swirl or explode out of
characters.  His ocean, mountains and icebergs look almost etched. The
lines are best of all when someone’s internal power swirls through water or
fractures stone.  I most admire his mixed media—watercolor, colored pencil
or ink with brush, technical pen and a very fine nib. His painting on wood is
gorgeous. On a single page, Ma uses realistic painting and expressionist line
drawing without interrupting the flow.  Hero has the feel of picture
book illustration mixed with comic panels. 

Some of the picture book feeling comes from Ma’s use of lianhuantu
conventions.  A lianhuantu is “a palm-size picture book of
sequential drawings….consist[ing] of a series of pictures with brief captions
above them” (Wong, 12).  Usually, the text describes what’s happening and
what characters think or feel about it. Sometimes the text relates what
characters say without attribution—the reader just works it out without a word
balloon.  Ma also often writes a character’s name beside them on their
first appearance and takes the convention further adding a portrait when, say, Heaven
Sword and Dragon Sabre
’s  King of Golden Lion is introduced.
The conventions give fantasy like Heaven Sword and Dragon Sabre or
legends like Hero, simultaneously a fairy tale and historical feel.

Based on a traditional story of an assassin and the
historical Qin emperor, Hero concerns Nameless, a county prefect who has
defeated 3 assassins. Ma changes Zhang Yimou’s ending slightly and adds “vital
points,” but the heroes’ abilities and weapons still blur the line between
fantastic and plausible.  Like Zhang, Ma experiments with form, although I
admit I preferred Ma’s use of color to mark each telling of Nameless’ duels
with Sky, Broken Sword and Flying Snow.  I’m still pondering Ma’s use of
line art versus painting in telling the stories.

Heaven Sword and Dragon Sabre is volumes longer and
way more fantastic.  Author Jin Yong set the story at the end of the Yuan
Dynasty and included historical figures and events—the Manichean Ming Cult, for
example, which did revolt against Mongolian rule.  But all this grounding
makes Heaven Sword and Dragon Sabre’s crazy wuxia fantasy even
more crazy fun.  It might be the most crazy fun wuxia epic ever,
involving all kinds of schools and sects and well-developed characters with
extra complicated motives and powerful skills.  And girls like me dig
characters with skills.  It’s also impossible to encapsulate.  With a
mother in the Ming Cult and a Wu Tang father, Wu Ji tries to bring peace
between the notorious Ming Cult and the 6 Major Kung Fu Schools—including both
Shaolin and Wu Tang.  Meanwhile, there are the eponymous superweapons,
moves like Radiant 9, Jinx and Buddha Palm, ill-fated lovers, the vampiric King
of Green Bat, governmental intrigues and troublesome ladies on
romantic boats. 

Who doesn’t like stories of loyalty and righteousness,
especially well-drawn ones about ending prejudice-bred feuds and sacrifice for
something other than a country or lord?  So I’ll float along, maybe a
little disreputable here in the gutter, but still struggling for yi.

~~~

While Carol
Borden
does veer between Cantonese and Mandarin in her article, she is a
master of the Jinx Palm.  So watch it.

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6 thoughts on “Floating Along in the World of Rivers and Lakes

  1. Cool. Is there an easy place to get these comics in Toronto? (Aside from asking you to lend them to me?)
    Also, I thought that Zhang Yimou did use different colors to mark the different tellings of the story in the film version of Hero. Is Ma’s use of color in the comic more apparant? And can you tell us how he changes the ending in the comic or would that spoil it?

  2. yeah, zhang did. i just preferred it in ma’s comic. the conceit might’ve been a little overwhelming shone, via reflection, directly into my brain.
    sadly, my copies are used. both hero and heaven sword/dragon sabre were published by comics one, which started in something like 1999 and closed in 2005.
    supposedly, DrMaster offers comics one’s manga and manhua catalog, but not their manhwa (korean comics) catalog. but i only see ma’s chinese hero at their site. i do find their site difficult. i’d try used bookstores or abebooks, yesasia, powells or (gasp) amazon online.
    you can always see his other famous comic, _storm riders_ here if you read chinese or just like looking at the pretty. ma’s also been working on anime–_toshinden subaru_ and _vampire hunter d_.
    there’s an insane amount i could write about all of this.

  3. I love this kind of stuff – especially the part in your comment about the “insane amount” of material. I’m dangerously attracted to huge pools of culture like this that go very deep, which makes browsing online kinda dangerous 🙂

  4. you probably don’t want to google, “wuxia,” “ma wing-shing” or “louis cha,” james. nope, you probably don’t want to do that at all…

  5. I nominate “Watching Chang Cheh’s Water Margin and King Hu’s Come Drink with Me as well as borrowed DVD’s of the 1986 Hong Kong tv show, Legend of Condor Heroes based on Jin Yong/Louis Cha’s book and reading the library’s copy of Jin Yong’s The Deer and the Cauldron, I think that xia might be the shit.” for sentence of the year.
    I’ve avoided getting too far into any manga, just because there’s so damn much of it – it could easily avalanche on you. But this looks like some stuff I should check out.

  6. i’m just glad i made it out of those clauses alive.
    with both titles there’s an end in sight. hero’s only one volume. heaven sword and dragon sabre is something like 7 volumes–still a little shy of most manga, let alone the sandman trade paperbacks.

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